Dec

2020

渔乡客舍 | 千岛湖金山坪村墟落复建

Fishing Village Guest House | Qiandao LakeJinshanping Village Restoration

2020-12-01

bb电子游戏官网

【小序】

2022年亚运会将在我国的杭州举行，，，，，主会场在杭州，，，，，分会场在千岛湖畔，，，，，而借这次时机，，，，，围绕千岛湖的亚运场馆，，，，，将会有一系列的配套设施建设。。。。。其中，，，，，在亚运场馆边上的金山坪村，，，，，也将迎来一场复建，，，，，复建后它将付与亚运村配套的商业与休闲功效，，，，，成为集餐饮、民宿、文创、艺术展示为一体的特色墟落。。。。。

【Prologue】

The 2022 Asian Games will be held inHangzhou, China, the main venue in Hangzhou, while the sub-venue in the Qiandao lake. To seize thisopportunity, around the Qiandao Lake Asian Games venue, there will be a seriesof supporting facilities construction . Among them, Jinshanping Village near theAsian Games venue will also witness arestoration. After thereconstruction, it will be endowed with commercial and leisure functions andbecome a characteristic village integrating catering, home stay, cultural and creative idustrial ?as well as art exhibition.

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【战略】

古板墟落的制作，，，，，首先应该在物理层面上推敲，，，，，修复与；；；ぁ⒒毓橛胪卣，，，，，重塑古板聚落形态，，，，，构建墟落风貌特色，，，，，其次，，，，，是在精神层面上起劲掘客，，，，，思索与增补、延续与传承，，，，，梳理出新墟落文脉。。。。。

【Strategy】

The construction of traditional villagesshould, first of all, be deliberated on the physical level, restored andprotected, returned and expanded, reshaped the traditional settlement morphology, and constructed the rural

features and characteristics. Second, exploration should be conducted on the spiritual level, think and supplement, continue and inherit, andtease out the new rural context.

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【墟落肌理】

原有墟落肌理中蕴藏着细腻富厚的生涯痕迹，，，，，是修建师无法企及的自然成绩。。。。。我们让复建后的“新墟落”顺应这样的自然肌理，，，，，仅在局部凭证现有规范及业主的要求举行微调解，，，，，做到“以自然为据，，，，，还原村痕迹”，，，，，再造一种“去修建师”化的墟落结构，，，，，使之显得越发的自然。。。。。

【Village Texture】

The original village texture contains richtraces of life, which is a natural achievement beyond the architects. Thus we restored "new village" by conforming to such a natural texture, while only make some minor adjustments according to theexisting norms and requirements of the owners, so as to achieve the goal of"taking nature as the basis, restoring the traces of the village", and reconstruct a village layout without architects to make it more natural.

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【空间流线】

墟落原有蹊径是住民生涯中自然形成的，，，，，这样的路径是先于衡宇的一种保存，，，，，是最贴合自然的设计，，，，，而我们复建历程中以原有墟落焦点蹊径为遵照，，，，，将其优化整合，，，，，形成一条中心路径，，，，，后续设计中各个焦点空间节点，，，，，就在这样的路径中睁开。。。。。

墟落整体复建后的功效是以墟落体验为主的旅游配套，，，，，我们必需思量到人流的组织集散，，，，，以及人们在这街巷中的空间感受，，，，，以是，，，，，将原有太过转折与狭窄的空间举行调解，，，，，扩大一些空间作为人流离合的节点。。。。。

【Spatialcirculation】

Original country road isnaturally formed in the residents' everyday life, such a path is a kind of existence before thehouse, is the most appropriate natural design. When we are in the process of reconstruction, ?the original village road is set asreference to in accordancewith, in themeantime, we optimizd and integrated it to formed a centerbackbone, each nodes of core spaces in thesubsequent design, are expandedfrom this path.

After theoverall reconstruction of the village, the main function of the village is to supporttourism based on rural experience. We must take into account the organizationand distribution of people and the spatial experience of people in the alley. Therefore, weadjusted the originalexcessive zigzag and narrowspace, and expand some space to serve as the node for people to gather anddisperse.

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【立面组成】

我们遵照原有墟落固有的天涯线，，，，，举行整合，，，，，形成我们立面的界线。。。。。之后剖析现状中墟落普遍的立面组成，，，，，虽是江南常见的粉墙黛瓦，，，，，但其也有经岁月洗礼过的美感，，，，，以是整体的立面气概，，，，，我们依旧选用了质感白墙，，，，，搭配深色木纹板举行局部遮掩，，，，，同时屋面的小青瓦宛然如故，，，，，虽然这一种平庸无奇的手法，，，，，但我们知道，，，，，随着时间的推移，，，，，粗糙的质感白墙会变得斑驳而具颗粒感，，，，，古板的青瓦会长出青苔，，，，，木纹板色彩会氧化变暗，，，，，之后便回归到原墟落的立面风貌。。。。。

另外，，，，，由于墟落功效由原有的栖身属性更新为公共属性，，，，，而原有立面中较小的开窗无法知足采光与谋划的要求，，，，，于是我们在开窗设计上偏向于更现代的大面积开窗形式，，，，，同时镌汰其框架的划分，，，，，外观更清洁室内视野也更坦荡。。。。。

【Fa?adeComposition】

We follow the skyline of the original villageand integrate it to form the profile of our elevation. After analyzing the common facade form of? theexisting village, although itwas ordinary Jiangnan architecture style, but aesthetic was etched on wihite walls and black tiles by years, so in terms of the overall facade style, we choose the white textured coating, ?partly collocate the wood grain steel plate for ornament, and keep the roofing of Chinese style tile as before,although these a prosaic gesture, but we know that, over time, the rough texture of white wall willbecome mottled and grainy, traditional tiles will grow moss, wood grain steel will darken oxide, which then gradually return to facade feature of the original village.?

In addition, since the function of thevillage is updated from the original residential property to the publicproperty, and the small windows in the original facade cannot meet therequirements of lighting and commercial management, therefore we preferd the modern larger windows, and at the same time reduced the division of frame, so that the appearance is cleaner and the indoorvision is broader.

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【单体设计】

更新后墟落为一个旅游配套商业社区，，，，，功效富厚业态多样，，，，，如前文所诉，，，，，我们遵照原墟落修建肌理举行单体设计，，，，，无论平面外轮廓照旧空间进退关系，，，，，都遵照原村。。。。。内部功效则是在与业主充分相同后的基础上仔细调理，，，，，既知足种种谋划的要求，，，，，又让内部空间无邪富厚，，，，，还知足外地政府部分各个划定。。。。。另外一方面，，，，，从修建学上的意义讲，，，，，墟落实践可以避开工业化建设的一些手段，，，，，回归建构，，，，，是对古板结构与质料的一次学习，，，，，是对民间制作手法的一次思索和运用。。。。。

【IndividualDesign】

After the renovation, the village is atourism supporting business community with rich functions in diversified formats. As mentioned above, we design individual architecture in accordance with the original villagetexture, which conforms to the original village in terms of both the planeoutline and the spatial relationship. The internal function is carefullyadjusted on the basis of full communication with the owner, which not onlymeets the requirements of various operations, but also allows the internalspace to be flexible and diverse, and also meets the regulations of localgovernment departments. On the other hand, in the architectonic sense, rural practice can avoid some means ofindustrial construction and return to tectonic, which is astudy of traditional structures and materials and a reflection and applicationof indigenous construction methods.

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墟落入口文创展厅 The Cultural and Creative Exhibition hall at the village entrance

我们接纳了一个大胆的战略：整体保存衡宇内部木质结构框架，，，，，在紧贴着这套系统设置外部修建围护系统，，，，，这套围护系统使用无框玻璃。。。。。木结组成为一个重大的永世展品，，，，，无框玻璃幕墙围护结构是它的外壳，，，，，清晰可见其内部细腻的修建木构，，，，，同时玻璃幕墙的外轮廓有维持原修建形态，，，，，保存墟落入口的山墙形态。。。。。希望它能唤起人们的想象与回忆，，，，，成为新墟落最为标记性的亮点。。。。。

We adopted a special strategy: to retain the wooden structure of the house as a whole, we set up the exteriorbuilding envelope ?with glass rib curtain wall. The wooden structure thus becomes ahuge permanent exhibit. The frameless glass curtain wall is its outer shell,and the delicate architectural timber structure inside is clearly visible.Meanwhile, the outer contour of the glass curtain wall maintains the originalarchitectural form and retains the gable form of the village entrance. We hope it can arouse people's imagination and memoryand become the most symbolic highlight of the new village.

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说明: 两种差别材质立面的并置比照，，，，，左侧为保存修复墙体，，，，，肌理感人，，，，，右侧为施工中的耐候钢板

做旧墙体 ?Antique Finish Wall

在墟落中，，，，，有三栋单体我们举行了“原工艺”复建，，，，，“留其外观，，，，，换其内核”，，，，，门楣的装饰、水刷石的转折，，，，，六边形、酒瓶型花窗，，，，，门头上的“志薄云霄”与“紫气东来”尚有“春风浩荡”的题字，，，，，都获得了保存，，，，，而其内部接纳全新的混凝土结构替换原有木质结构，，，，，包管修建物的牢靠与清静。。。。。而这三座保存立面的修建后续作为艺术家事情室，，，，，传承更多的乡土气息。。。。。

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In the village, there arethree individuals we conducted the"original technology" reconstruction, to achieve the goal of "Keep the appearance, change its core", the adornment of the bar, exposed aggregate base , hexagon bottle form window, the calligraphy on the head of door, have been retained, while its internal adopts new concrete structureto replace the original wooden one, ensure thesolid and security of building. The three buildings thatretain the facade will be used as artist studios to inherit more local atmosphere.

艺术中心 Art Center

在业主希望的功效中，，，，，有一项是集中的镌刻艺术展示的空间区，，，，，它不但有修建内部空间，，，，，尚有一个室外的园地，，，，，知足多维度的展示需求。。。。。由于修建整体形态上我们不肯突破原墟落的轮廓，，，，，以是我们在材质上下功夫，，，，，使用了干挂混凝土板，，，，，体现“凿石”的效果，，，，，为了抵达肌理的自然，，，，，接纳纯人工对混凝土板举行二次敲凿，，，，，效果斐然。。。。。在白墙灰瓦的墟落中，，，，，这样一个混凝土雕凿的形象将建设其越发奇异的职位，，，，，同时又可以突破墟落修建气概上的苦闷，，，，，提升辨识度，，，，，使游客的体验感更富厚。。。。。

A sculpture art display space ?is one among the desired functions of the client, which notonly has the interior space of the building, but also has an outdoor site tomeet the multi-dimensional display requirements. As we were unwilling to breakthrough the outline of the original village in the overall form of thebuilding, we made great efforts in the material by utilizing the dry hanging concrete slab to reflect theeffect of "chiseling the stone". In order to achieve the naturaltexture, we used artificial chiseling on the concrete slab for the second processing, which achieved remarkable results. In thevillages with white walls and grey tiles, such a carved concrete image willestablish its unique identity, break the plain of the architectural style ofthe villages, improve the identification, and enrich the experience of tourists.

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